Tuesday 26 May 2015

Comic artists that I admire #1: Rosinski

The first of the artists that I present here (not in a particular order) is Rosinski. Click here for the overview of the other artists.


Rosinski in the eighties

Rosinski (°1941)  started als a professional illustrator in Poland at the time of the cold war, begin seventies.
He made some Polish comics, illustrations for school- and children's books but his big succes started in 1977 when he was asked to draw the Viking/SF-saga Thorgal, written by Jean Van Hamme. That comic was published in the Belgian comics magazine "Tintin", which had at that time a French and a Dutch version.

This series was a huge succes, not only by the artwork of Rosinski but also because of the stories itself, which attracted a huge female audience as well... The story themas vary from Norse mythology to pure fantasy and a mix of romance, drama, horror,...

I saw Rosinski's work for the first time in "Kuifje", which is the Dutch-language version of the Tintin-magazine.  The 5th album "De schaduwen voorbij" (Au-delà des ombres) appeared somewhere begin 1980's, and as a 8 or 9 years old boy, who was only familiar with classic Belgian comics like Tintin, Suske en Wiske, the Smurfs, etc, this story opened a whole new (graphical) world to me...


The opening page of "Au-delà des ombres" (Thorgal #5)

Rosinski sent his work from the other side of the iron wall to Brussels, where Tintin-magazine was published.
Difficulties in 1980 in Poland (the Solidarnosc-era) made it difficult to sent his original work  to the Tintin-editor, so he migrated to Belgium (his family followed later on). He got the Belgian nationality at that time and in our country, he made some of his finest work (who wouldn't ;-) ) but later on he was lured to Switserland by some of his admirers there... Nevertheless he kept his double nationality (Polish-Belgian) and didn't become a Swiss citizen.

So Thorgal  is his most famous series.
In this series he evolved from classic black and white inking to a more cross-hatched style.

Classic style



Evolving from classic to more cross-hatching

Cross-hatching (original from the Qâ-story arc)
The covers for the albums on the other hand, were always painted.  Here a selection of the finest (in my opinion :-) ), but they do not necessary represent the finest stories.


New Thorgal albums followed every year, but in the eighties he worked also on a pure SF-series with A.P. Duchâteau: Hans. From the fifth album on, another Polish illustrator Kas helped him and eventually took over the series from part 6 on...

Opening scene from the first album

Cover for "The Gladiators"

Thorgal is Rosinski's most-known series, but the "Chninkel"-one-shot (also in collaboration with Van Hamme, published in the end of the eighties) is considered as his masterpiece. It appears high in most rankings, with it's unique "Messiah-story-in-a-fantasy setting".


Cover

Nice black-and-white artwork

This albums originally appeared in black and white (166 pages) and consists of different chapters, which were pre-published in the "A suivre"-comics magazine.
There is also a more recent color version, but if you get the chance, buy the black-and-white version, because that's how it was meant to be. (The publisher's marketing department will say you definitely should buy both ;-) ).


In the nineties Rosinski made another 4-part fantasy-story "Laments of the Lost Moors / Complaintes des Landes Perdues (Fr.) /  Klaagzang van de verloren gewesten (Dutch)", this time with writer Jean Dufaux (another Belgian big-shot comic writer).

Put the covers two by two aside and you get a bigger image.




Laments of the lost moors/Complainte des Landes Perdues / Klaagzang van de Verloren Gewesten
Rosinski drew these 4 parts of the story, but some ten years after the last part, a prequel of "Laments of the Lost Moors" was launched, drawn by Philippe Delaby: "The knights of mercy".  4 albums were published. The "Knights"-cycle is finished, and now  Beatrice Tillier is working on a prequel for the Knights-prequel: "The sorceresses"...

Articles about these two talents are coming up on this blog :-).

After his wife died, Rosinski lost his motivation to make new work.   But he found a new drive leaving his inking technique for what it was, turning to direct colouring, with the interesting one-shots such as the Count of Skarbek (about the art-scène in the 19th century, script by Yves Sente) and Western (mostly coloured in sepia, script by Van Hamme).


Western (with Van Hamme)

Afterwards, he was motivated again to make new Thorgals, but this time also in direct color...

So Rosinski found a new drive, but writer Van Hamme was finished with Thorgal  and Yves Sente, who wrote the Skarbel-story, became the new writer.

Thorgal in direct colour (acryl, water color, ...)
In general, Rosinsky paints every picture on the scale he likes, and afterwards they're digitally combined into one picture.  This allows him to work at the scale he liks for each picture. For "Skarbek" for example, his originals were up to 1 meter (40 inch) in height...


Original art for Thorgal covers (which are published at +/- A4-format, the originals are about 40inch/100cm in height).



Rosinski monograph

Artbook

In 2013 a monography about Rosinski appeared.  Its scale (400 pages, 29.50 cm x 29.50 cm x 9.50 cm - approx.  11x11x3.5 inch) makes it difficult to fit in regular book shelves (or at least in mine), but it isn't that very expensive (+/- 50 euro, because it was printed and sold in high volumes) and provides a wonderfull overview of his work.  It also includes interviews with the writers he collaborated with and other stuff. But even if you don't speak French (or Dutch, if you can get a copy of that version), the book is still interesting enough :-). The book itself was layouted by his son Pjotr (certainly a talent for graphic design).

As Rosinski grows older (like anyone :-) ) and the time between new albums became longer and longer, three spin-offs were created: Kriss of Valnor (Thorgal's sexy but evil adversary) , Louve (about his younger daughter that can speak with animals), and "The youth of Thorgal", all drawn by other authors.

Confusing

A little remark aside: for anyone who also knows the Jugurtha-series by Franz: both Thorgal and Jugurtha were published in Kuifje at the same time, which confused me as a child. For some years (until I could read), I thought that Jugurtha and Thorgal were actually one and the same person...

Jugurtha by Franz

Thorgal by Rosinski

Reading list:

The best Thorgal story (in my humble opinion) is "Wolvin" #16, from the regular series, not the spin-off). You can read it without  being familiar with the rest of the stories, as it is a single story in the Thorgal saga.
If you don't understand English, French,Dutch, Polish or any other of the translated langues: try Alinoë (#6), a story with almoast no text.
Chinkel is a must-have for any comic-fan.  No discussion about that.

Read extracts online

On the publisher's website (Le Lombard) you can read extracts from any album by clicking the  "Lire un extrait"-button. This link brings you to Thorgal #1. Click "La série- les suivants" to move to the next Thorgal comics.

Links:

English publisher + shop
Belgian original publisher
Thorgal also exist in other languages... I didn't find a complete list, so you'll have to google for your own language...


Click  here to see the other comic artist that I admire.




Wednesday 20 May 2015

Comic artists that I admire...

On this blog,  I will discuss some comic artists that I appreciate very much.  Their talents have been (or still are) an inspiration for me. That's why I want to put them in the spotlight for you, the blogreader that might not know them (especially if you're not from Belgium or France).

So here are the artists that are worth to check out:


Rosinski - read the article here

Thorgal by Rosinski

Dave Gibbons

Watchmen by Gibbons

Karel Biddeloo

The Red Knight by Karel Biddeloo

Philippe Delaby

Laments of the lost Moors (Complainte des Landes Perdues) by Delaby
Steven Dupré

Illustration by Steven Dupré

Hans Kresse

Illustration by Hans Kresse
Beatrice Tillier - read the article here

Le Bois des Vièrges (Virgin's Wood) by Tillier
Thierry Ségur - read the article here

"Légendes des contrées oubliées" (Legend of the forgotten countries)  by Ségur


James Gurney

Dinotopia by Gurney
Jean Giraud/Moebius
Blueberry by Giraud




In the following blog posts, you'll get a chance to meet them and their work.  


Maybe you wonder why most of these artists are less known outside Belgium and France?

Well actually Belgium and France have another "comic culture" than most other contries.

American comics and cartoons (action heroes and Disney-likes) are very popular in the whole world. 


But Belgium (in the fifties and sixties) and France (from the seventies on) developed their own way of comics, like Tintin (1930), Spirou (1939), Lucky Luke (1940's), Astérix (1959), The Smurfs (1950's), Suske en Wiske (1940's). I'm sure some of these names ring a bell :-).




These local comics have always been more popular than American import. Fact: any Disney-marketeer knows where Belgium lies, because it's the country where Disney-stuff has the most difficulties to penetrate the market and has the lowest sales-figures... 
Scandinavia for example, on the other hand, had a smaller local comic production in the past.  That market there has been heavy influenced by action heroes and the Disney-characters.

Photo credits: I took the pictures from Internet.  I do not own the copyright.  If you do a Google Image Search for the pictures, you'll find the rightfull owners. That's all for the legal stuff :-).